The Hooping Life documents the early days of a subculture predominantly spearheaded by women. For a Hollywood raver, an inner-city teacher, a transgender performer, a television actress, a Southern male preacher, the hoop is a muse. And in turn, their commitment to the hoop transforms them.

Please help us to bring The Hooping Life film to Melbourne, Australia in October, 2012 for a two night screening and community event.

OCTOBER 6 & 7

Grab your tickets through Pozible for the event now. Choose from at 6th or Sunday 7th
7:00pm TUNES/HOOPS/GATHERING OPEN TO PUBLIC

7:30pm SHOWTIME - ENJOY HOOP SHOWS

8:30pm THE HOOPING LIFE FILM (90 mins)

10:00pm HOOP JAM

The first Australian screening of the US made movie, the Hooping Life will be presented and supported by Hooplovers in Melbourne. Screened over two nights October 6 & 7 at the Irene Arts Warehouse in Brunswick East. Each screening night will include an array of spectacular hoop shows from the local and national hoop community and followed by a hoop jam. Whether you are a hoop star, a hoop supporter or simply intrigued by the whole phenomena we invite you to support this very special two day event, the first of it's kind in Australia.

There are a variety of rewards for generous supporters including admission tickets to either show, hoop lessons, hoop parties and group packages.

The money raised through Pozible and your support will go directly towards the screening costs for a 2 night international screening ($630), venue hire ($300), furniture/equipment hire ($200), lighting ($100) and audio/visual hire ($300) - your support will make this possible and bring a much anticipated film to Australia. Thank you so much in advance.

The Hooping Life website http://spanproductions.com/
The Hooping Life preview http://youtu.be/4PEKKdaksRs
Hooplovers http://www.hooplovers.com/

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By director Amy Goldstein. Filmed over six years and introduced by hooper/hooper Shaquille O’Neal,

The film opens in the underground club scene of Southern California where Anah, an androgynous hooper known as “Hoopalicious” begins to shape an identity for the movement, def jamming from head to toe with her hoop, dressed up in superhero attire with furry leggings and colorful dreads. She introduces her hoop to Tisha, an after-school mentor in South Central, who creates a hip-hop-hoop program to build self-esteem and keep kids off the streets. When her gifted student Jeffrey gets in trouble, Tisha takes him in and together they start a hoop-making workshop.

Having himself survived gang-ridden streets in Los Angeles, performance artist Karis finds courage hooping. Now a burlesque dancer with the popular Mexican wrestling show Lucha Va Voom, Karis puts on a show that defies the bullies of his youth by pulverizing gender stereotypes within the hoop.

Across the country in the land of professional wrestling, Baxter is a straight white guy who hoops blindfolded to avoid the stares of his neighbors. Hooping saves him from suicide. The son of a preacher, he creates a spiritual practice “The Hoop Path” that enlivens the lives of many others. Similarly, South African actress Sass finds resilience when she joins “The Good Vibe Hoop Tribe” hoop troupe with Hoopalicious and begins to fire-hoop away the trauma of a brutal rape. Also performing with the Good Vibe Hoop Tribe, Christabel an overweight grad student in debt teams up with Hoopalicious and the two take their “SpinBabes” act on an international tour. In this partnership, sparks fly as commerce and art collide. After a difficult separation, Hoopalicious struggles to maintain relevance in an ever-evolving community while Christabel’s entrepreneurial spirit and new babelicious body thrive as HoopGirl.

Filmed in part by the hoopers themselves, THE HOOPING LIFE recognizes that the artistic path is an arduous one, but in the end one worth taking. British electronic duo BASEMENT JAXX provides the buoyant score that captures the free-spirited nature of hooping.

How it was made...

1. With tender loving care.
2. With gifted equipment.
3. With arts grants (thank you NYSCA, the Pioneer Fund and the Papper Foundation).
4. With the hoopers as diarists, they in part filmed their own stories, and had started to video-journaled before we caught up with them. We lent them some better equipment and shared technical knowledge to incorporate their footage to the film.
5. With everyone we know helping out, from top-notch editors to our neighbors.
6. Over a really long time, in between paying gigs, while hooping.

The process of making this film honors the dedication and passion that runs throughout the hooping community.

Director’s Statement

Why make a film about hula-hooping? Hooping provided a great pretext to delve into the essence of what makes us feel truly alive. I also have always been interested in supportive communities, and at large, what brings people together. My previous feature, EAST OF A, echoed my commitment to the theme of community as a transformative tool. It told the story of an alternative family and its evolution as it responded to the needs of an HIV positive baby.

In THE HOOPING LIFE, the hoop becomes the object that coalesces the community. Seven years ago, I started noticing young people walking around with big colorful hoops where I live in Venice California and began to interview them. They identified as hoopers, and came from every walk of life. Hoopers are like hoops, they come in all sizes (big, small, light, heavier) shapes (newbies, pros, young, old), and colors. For some, hooping is about pioneering the art of liquid dance, for others it is about getting fit, or engaging into a spiritual practice. For a happy few, it is a full- time job. The film started to take shape around the questions that the hoopers’ lives were raising: is there something you really dig doing? Regardless of how crazy it might seem to others, commit to it and who knows what may transpire… It’s definitely worth finding out. Hoopers all enjoy a very vibrant world of creativity with year-round meetings and gatherings where they share their techniques, crafts, choreographies, fitness programs, cutting-edge apparel lines and accessories in different locations around the world. Many of them go by a hoop moniker, much like in the hip-hop world: Hoopalicious, HoopGirl, Groovehoops, the Hoola Monsters…They are genuinely community oriented: from local incentives such as free hoop jams across America to nationwide endeavors with World Hoop Day (a non-profit organization that donates hoops to kids and families in need). There is an astonishing hooping world percolating around us.

But it’s not easy to quantify with figures. When I started filming in 2004, hooping was mainly seen at music festivals and nightclubs. There are now close to seven million results on Google for “hula-hoop”, hundreds of thousands of YouTube videos about hoop moves, hoop making, hooping at gyms and hoop jams, thousands of Facebook groups and websites from all around the world (matahoops.com in Finland, hoopempire.com in Australia, hooplovers.com in Japan and many more). Two online hooping platforms, hooping.org and hoopcity.ca where everything hoop can be discussed drive daily traffic of thousands. If hooping is bumping up against the pop culture ceiling with music videos (Beyonce “Work it out”, Pink “Raise Your Glass”, Justin Timberlake “What goes around comes around”…), commercials (Coca-Cola C2, Target), and video gaming (Wii Fit), hooping as a trend has not yet reached the tipping point. I believe most hoopers would like it to tip. As long as the current ecosystem of small hooping companies can thrive (hoops are made by hoopers and by mom and pop companies), I think that it does not matter. The world economy started tanking while we were in post-production and my producer pointed out that more than ever, THE HOOPING LIFE needed to be told: here we were in the doom and gloom of foreclosure and unemployment, documenting a community who is entrepreneurial, vibrant and who found a way outside the tried-and-true to have a livelihood, to have meaning and the support of a community… What could have been a long and tedious process (editing down hundreds of hours of footage to a 70-minute feature film) became something everybody was looking forward to. We were coming out of the editing room some times past midnight, still fresh and upbeat. And I hope that the film just does that.

Like the hoop itself, our film is constantly in motion. I trained and encouraged the hoopers to make use of video recording equipment to parallel the do-it-yourself grassroots mentality of the hooping community. They were my partners in the film. The video camera became a confident that allowed their stories to be recorded in the most intimate, uninhibited manner. Anah and Christabel took theirs on their world hoop tour. Sass documented on her own her return to South Africa. The very process of having a film made about their pioneering adventure encouraged them to dream bigger and articulate their vision.

The hoopers knew from the beginning that it was a harebrained scheme to put their souls into hula-hooping. Yet they strive for their dream with great determination. I was touched by their unflinching commitment to pursue what makes them fully alive.

They taught me to dream with perseverance.
With a hoop and a dream, they changed my world.